प्रतिपल-परिवर्तित- व्यूह- भेद कौशल समूह
पिछले हफ़्ते विभाजन पर आधारित एक नाटक देखने गया था। नाटक दिल्ली के एक प्रतिष्ठित सरकारी संस्थान में था। विभाजन भारतीय उपमहाद्वीप और उसके लोगों पर घटी एक त्रासदी है—उसे याद किया जा सकता है, उससे सीखा ज बेला पॉपुलर उर्फ़ी जावेद के सामने हमारी हैसियत
पुष्प-पुष्प से तन्द्रालस लालसा खींच लूँगा मैं
A damaged person once the death of his mother, wife and daughter , his complete literature may be the merchandise of his temperament.
...
Nirala’s ego and arrogance were well known. He struggled throughout his everyday living to get paid dollars, still later on, when he was recognised as one among the greatest poets and the government offered him revenue to maintain himself, he refused.
He also wrote which taal and raga he experienced Utilized in his poems. There were times when he utilized to sit with the harmonium in the course of poets’ gatherings to recite his poems. Only someone who appreciates with regards to the nuances of Indian classical kinds — Khayal, Dhrupad, taal, laya — can do that.”
Chhayavaad or “ Neo -romanticism “ poetry was characterized by an enquiry of your self encrusted with themes of affection and nature with an additional contact of mysticism.
जितने भी धर्म प्रचारित किए गए, सब अपनी व्यापकता तथा सहृदयता के बल पर फैले।
राक्षस – विरुद्ध प्रत्यूह,-क्रुद्ध – कपि विषम हूह;
...
“There is a deep resonance concerning Nirala’s poems and new music. Nirala was quite very well mindful of how the laya-taal is effective,” states Gundecha. “We discovered his poems and thought of composing him. The preface from the poem that we selected to compose already had a point out of how he experienced created it in Dhrupad’s bol-baant type (an historic form of Indian classical songs).
साथ निवास करने वाले दुष्टों में जल तथा कमल के समान मित्रता का अभाव ही more info रहता है। सज्जनों के दूर रहने पर भी कुमुद और चंद्रमा के समान प्रेम होता है।